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Film Theory: The CORRUPTION of Superman - YouTube
Channel: The Film Theorists
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You know, I wonder where Superman changes nowadays.
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There haven't been proper phone booths on random street corners for years, and it's not like he's gonna fit in a cell phone!
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Are there just some carefully removed scenes from each Superman movie now where he's just letting little Kal-el fly?
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Hello Internet!
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Welcome to Film Theory, where we strive to be the Internet's most ETHICAL fictional conspiracy theory show.
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So, there's a lot of Spider-Man stuff happening right now.
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There's the new Spider-Man PS4 game, Into the Spider-Verse later this year,
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and as such, I've been rewatching the old Sam Raimi Spider-Man movies to search for theory fodder.
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And you know what caught my attention looking through all that?
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J. Jonah Jameson, one of the single best characters in all of comic fiction!
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Not only is he hilarious in those movies...
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Peter Parker: "Spiderman wasn't attacking the city. He was trying to save it. That's slander."
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Jameson: "It is not. I resent that.
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Slander is spoken. In print, it's libel."
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What really struck me this time was his commitment to his journalistic integrity.
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Green Goblin flies through the window and practically sets all of J.J.'s offices on fire,
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clutching him by the throat, and DEMANDING that he tell him who takes Spidey's pictures for The Bugle.
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Peter Parker is LITERALLY right there outside his office, the two of them just having gotten into a fight!
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And what does J. Jonah do?
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Green Goblin: "Who's the photographer who takes the pictures of Spider-man?!"
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JJ: "I don't know who he is! His stuff comes in the mail!"
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GG: "You're lying!"
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He lies to Green Goblin's face!
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For as harsh as he can be, he protects the anonymity of his sources and his employees WITH HIS OWN LIFE.
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It's truly the mark of a heroic journalist.
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All of this got me thinking about other superhero reporters, specifically the most famous one of them all:
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Superman. When Superman puts on those magic glasses he becomes mild-mannered Clark Kent, star reporter for The Daily Planet.
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Well, maybe STAR reporter is overselling his role a bit.
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Perry: "I logged into your Dropbox to find a copy.
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There's a copy, all right!
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Nothing about football. Nothing about ...
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Friends of the Metropolis Library."
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Throughout Batman V Superman: Dawn of Justice, we start seeing the inner workings of The Daily Planet,
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and, well, the way they treat the news is a bit...concerning.
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Clark: "When the Planet was founded, it stood for something, Perry."
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Perry: "So could you if it was 1938, but it's not 1938.
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Nobody cares about Clark Kent taking on the Batman."
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Well, they did care about it until they saw this movie.
Ha-haaaa!
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Self-awareness for the win.
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But seriously. With behavior like that, would the Daily Planet be considered a good ethical newspaper?
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Or is it just a whole lot more fake news?
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I mean Perry White is no J. Jonah Jameson and usually that's seen in a good way, but is it really?
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So today, I'm taking a deep dive into the icy pool of superhero journalism
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in an effort to determine whether Superman, the icon of truth, justice, and the American way,
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is working for a company that's just as sleazy as the criminals he's working to put behind bars.
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Now, obviously I can't go accusing one of the most iconic fictional papers of being unethical without setting up a few rules first.
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So I turned to the experts.
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The Society of Professional Journalists, in their mission to protect and improve journalism,
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has created some very clear guidelines for journalistic ethics.
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The rules fall into one of four main categories:
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"Seek the truth and report it,"
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"Minimize harm,"
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"Act independently,"
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and "Be accountable and transparent."
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Now the first one almost seems obvious.
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As a newspaper, the Planet should be interested in seeking out the truth and reporting it.
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You know, delivering the news in an objective fashion.
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But when you actually look at how it operates, they really fail in some SPECTACULAR ways.
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As part of this category, the Society of Professional Journalists lists:
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1: Being vigilant and courageous about holding those with power accountable; giving a voice to the voiceless.
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2: Boldly telling the story of the diversity and magnitude of the human experience.
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Seek sources whose voices we seldom hear.
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And 3: Avoiding stereotypes.
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Journalists should be examining the ways their values and experiences may shape their reporting.
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All of which are great goals.
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Representing everyone fairly and equally, giving a spotlight to the stories that have no other outlets.
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So let's see how Perry White and the Daily Planet feel about all that.
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In the 1978 Superman, the iconic and widely considered best film version of Superman, Lois Lane comes in with a pitch for her story.
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Lois: "It's got everything. It's got sex, it's got violence, it's got the 'ethnic' angle."
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Ah... the ethnic angle.
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*Matpat laughs* Oh boy...
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Okay, let's give Lois the benefit of the doubt and assume that she's trying to, I don't know, "give voice to the voiceless."
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So how does her editor-in-chief Perry White respond?
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Perry: "So does a lady wrestler with a foreign accent"
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Oof! "A lady wrestler with a foreign accent?"
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Looks like Perry missed the day where they taught point number three about avoiding stereotypes.
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It truly does sound like Perry is sacrificing his ethical integrity because the story is merely about minorities.
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Any way you slice it, is clearly not a response that gives us any sort of confidence that he's examining
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ways that his values and experiences may be shaping the reporting.
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But that was way back in the 1970s.
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Surely the modern Perry White has been sufficiently woke, right?
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Clark: "Why aren't we covering this? Poor people don't buy papers?"
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Perry: "People don't buy papers period, Kent."
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Clark: "Perry, when you assign a story you're making a choice about who matters."
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Perry: "Good morning, Smallville.
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The American conscience died."
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And the problems don't just exist in the stories that Perry is selecting,
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but also how he's encouraging those stories to be framed.
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Another tenant of the Society is to, quote, "Provide context.
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Take special care not to misrepresent or oversimplify in promoting previewing or summarizing a story."
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And, uh, what's the thing that we hear repeatedly throughout the original Superman film?
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Perry White's official motto that he teaches all his reporters?
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"A good reporter doesn't get great stories, Jimmy." "A good reporter makes them great."
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Regardless of whether you're stuck with a slogan slinging '70s stereotyping Perry White,
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or the modern DCEU's random story assigning Perry White,
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working at the Planet has always seemed to be an ethical minefield.
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Now, you're probably thinking that Perry in both of these cases is just trying to do what's best for the Daily Planet:
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Making money and selling more copies.
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But that is EXACTLY why this code of ethics exists in the first place.
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To show reporters where the line exists between a good story and being a good journalist.
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Point number two: "Minimize harm."
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So this sounds like it should be a really simple task for a newspaper that unwittingly employs a superhero.
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But this principle is actually based on the need to balance the public's need for information
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against the potential harm or discomfort that information getting out could cause them.
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It basically boils down to whether the public knowing a certain piece of information is going to be better or worse for them,
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and also whether revealing that information is harmful to the private citizen it belongs to.
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Throughout Batman V Superman, we witness Perry White repeatedly shutting down Clark's attempts at an expos茅 on Batman,
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a man who is, for all intents and purposes, an out-of-control vigilante.
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I don't know about you, but it certainly seems like a piece of information that would be pertinent to the safety of the public, but nope!
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Apparently according to Perry, it needs to stay under wraps.
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Perry: "Nothing about football. Just...
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The got-damn Gotham Bat thing I told you not to pursue."
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Clark: "The police won't help. The press has to do the right thing."
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Perry: "You don't get to decide what the right thing is."
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But it's even worse in Man of Steel when Lois decides to bury her story on the existence and identity of Superman.
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You know, the first ever confirmed actual super-powered alien to ever land on earth ever!
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Perry: "I believe you saw something, Lois.
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So whatever your reasons are for dropping it, I think you're doing the right thing.
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Can you imagine how people on this planet would react if they knew there was someone like this out there?"
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Sure, it seems like Perry, for once, is taking his responsibility to his readers seriously.
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But I would argue that he's making the wrong decision here.
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As we see later in the movie, the public would soon find out about Superman's existence through his very public battle against Zod.
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A battle that causes panic, fear, and EXTREME loss of life.
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An introduction to Superman as a peaceful entity through Lois Lane's Daily Planet article prior to that battle
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would have gone a long way to mitigate the questions the public would have had in the aftermath of that battle,
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circumventing not only a large part of the general outcry and overall atmosphere of fear present in Batman V Superman,
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but also, well, it would just circumvent a lot of that movie in general.
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Which is not a bad thing.
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But really those two categories are nothing compared to the massive ethical violations in the "Act independently" and "Be accountable and transparent" sections.
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When it comes to acting independently, of the five rules listed on the Society's website,
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The Daily Planet breaks the following four:
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One: Avoiding conflicts of interest, real or perceived; disclosing unavoidable conflicts.
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Two: Refusing gifts, favors, fees, free travel, and special treatment;
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and avoiding political and other outside activities that may compromise integrity or impartiality, or may just damage credibility.
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Three: Being wary of sources offering information for favors or money; not paying for access to news;
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identifying content provided by outside sources, whether paid or not.
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And finally, point number four: denying favored treatment to advertisers, donors, or other special interests;
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and resisting internal and external pressure to influence coverage.
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And most of these ethical standards are put through the shredder by Perry White assigning Clark
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what seems to be yet another seemingly random story in the middle of Batman V Superman:
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Perry: "Benefit for the Library of Metropolis.
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Someone on the committee requested that Clark Kent cover it.
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Probably some old charity crone who's got a thing for nerds."
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Whoa! Slow down your violations there Perry.
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You just assigned your sports reporter--
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Perry: "You're sports today."
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--to cover a charity benefit just because someone rich asked you to?
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That seems like a very direct violation of "Denying favored treatment to advertisers and donors."
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But it's even worse in the 1978 Superman movie
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where Perry White is literally willing to give away ownership over the company to Superman
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just so he can get some exclusive coverage.
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Clark: "I don't think that he would, uh, lend himself to any cheap promotion schemes though, Mr. White."
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Perry: "Exactly how would you know that?"
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Clark: "Just a...first impression?"
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Perry: "Well anyway, who's talking cheap? I'll make him a partner if I have to!"
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So yeah. The Daily Planet breaks about every ethical rule in the book:
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Biased coverage, preferential treatment to donors,
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hyperbolic empty-headed clickbait titles, and willfully withholding information pertinent to the public good.
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But if that wasn't bad enough, here's the worst part:
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They've dragged down Superman with them.
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Clark himself isn't innocent in any of this.
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After all, any story that Clark writes about Batman, or any superhero, or any supervillain for that matter,
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is unquestionably biased and a direct conflict of interest, since Clark is Superman.
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Such undisclosed information could radically alter the public's perception of any story that he writes,
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given that he's the one out there punching it up on the streets.
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I mean, Bruce Wayne even acknowledges this in Batman V Superman:
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Bruce: "The Daily Planet criticizing those who think they're above the laws... It's a little hypocritical,
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considering every time your hero saves a cat out of a tree, you write a puff-piece editorial about an alien."
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Clark makes things worse for Lois Lane, too.
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Providing her with gifts, favors, fees, free travel, and special treatment,
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all of which could radically alter her bias and stories about not just Superman, but also all of Superman's enemies.
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In Superman Returns, true to the title of the movie, Superman leaves, and then he returns.
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It's actually a very accurate title. But in the interim while he's gone, Lois's connection with the Man of Steel
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and her frustration with her romantic partner up and leaving without any notice
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causes her to write an article titled "Why the World Doesn't Need Superman,"
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an article which wins her a Pulitzer Prize!
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You think that would have been written had she not been all lovey dovey with the boy in blue?
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Certainly not!
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You think that the Pulitzer Prize judges would have given her an award for journalism had they known that she was shtupping Supes?
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Definitely not!
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Every time that Clark puts his fingers on a keyboard,
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he is lying to the American people about his process, about what he knows, and about what he's thinking.
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He weaves tales; careful to conceal his identity and his biases, leaving the people of Metropolis in the dark.
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And here's the kicker: He knows it. That's why he's working at the Daily Planet in the first place.
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Clark: "I gotta find a job where I can keep my ear to the ground. Where people won't look twice...
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when I want to go somewhere dangerous,
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and start asking questions."
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It is done with intention. He has no plans to accurately report the news.
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He's using the guise of a reporter to protect himself.
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Sorry, remind me what Superman stands for again?
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Superman: "I'm here to fight for truth, and justice, and the American way."
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Yeah, I'll give you two out of the three.
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Let's just leave the truth one off the list.
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But hey!
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That's just a theory!
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A Film Theory!
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Aaaaaand
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Do you know what's wrong with Superman? He's never taken a class in journalism.
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Maybe he would have learned better journalistic ethics if he'd actually bothered to study up on his chosen profession.
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You know, what would have made him a better reporter? Our partner for today's episode: Skillshare.
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They could have taught him everything; from how to break into journalism, to how to write the truth with style.
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That's right, Supes! That sticky bit about truth again. Preach it, Skillshare!
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Sure, they support Film Theory so we can keep sowing seeds of doubt into your mind about all your favourite fictional heroes,
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but more importantly, Skillshare provides an entire platform that is dedicated to teaching you about pretty much anything.
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Skillshare isn't just about giving you information. It's about giving you thoughtful step-by-step classes
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And all of it for less than $10 a month, like, literally the cost of popcorn at the movies,
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you can start any classes you want with unlimited access.
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Over here, us Theorists, we actually all use Skillshare.
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So it's not like just a service that we're promoting. It is a service that we actively use.
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Our graphic designer Dan is actively watching Skillshare classes to teach himself more skills in graphic design.
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Literally, when one person in the office starts talking about the classes they're taking, whoever they're talking to asks for a subscription as well.
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We take classes like logo design and vector illustration to improve the thumbnails and art that you see on the channel.
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When I'm going on vacation, I pull out courses like Comprehensive Essential Japanese for Beginners, so I can blunder my way around a foreign country.
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And if you would like to join us and hop aboard the Theorist Skillshare train, well then do it fast.
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Because the first thousand people to sign up for Skillshare using the link in the description of this very specific video
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So get going to the link that you see on screen or the link in the top of the description.
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Now if you'll excuse me, I have to follow up with my choux pastry making class.
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Great British Bake Off, here I come!
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