Can You Make Money From NFTs? - YouTube

Channel: CNBC

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How much would you pay for this artwork? In March 2021, this art
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piece created by digital artists Beeple sold for over $69
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million, becoming one of the most expensive works of art ever
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sold at an auction. The catch? Well, it doesn't exist yet. Not
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physically at least. It's all thanks to a trend known as NFTs
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or non-fungible tokens. And in recent years, it's taken the art
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scene by storm.
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In 2018, I went to Christie's and was essentially credited
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with bringing NFTs to the art world and what happened was I
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gave away 300 free NFTs. Now, fast forward three years, each
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of those 300 NFTs that we gave out as like a physical card that
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you could cash in are worth about a million dollars.
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This piece is called 'Knockout'. It was actually the first piece
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that I painted during 2021. So now this is the most expensive
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NFT that I've sold to date. I paired it with this physical
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piece, I sold it for the equivalent of about $17,000 USD.
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The market has seen explosive growth in 2021. During its third
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quarter, NFT trading volume hit $10.7 billion — a 723% gain from
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the previous quarter and a staggering gain of over 38,000%
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year-over-year.
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It's become something that was a bit of a novelty to something
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that's become a lot more mainstream very, very rapidly.
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And this is partially due to the fact that a lot of celebrities
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and people who are well known have kind of jumped on the NFT
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bandwagon and given it a kind of credibility. I think it's also
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being pushed very strongly by people who are into
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cryptocurrencies as another way of basically earning money and
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gaining value from cryptocurrencies. But
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NFTs astonishing growth has also led to deep skepticism over its
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market. I think
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the technology underlining NFTs is useful and has practical
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applications. How it's currently being used at the moment is just
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one rolling series of mad Tulip Mania style bubbles. That's all
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it really is, together with some very ugly artwork.
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So just how do non-fungible tokens work and is it an asset
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worth investing in? NFTs refer to unique one-of-a-kind digital
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assets that are verified and stored using Blockchain
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technology. They're mostly traded using cryptocurrency in
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NFT-specific marketplaces, such as Opensea are SuperRare.
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Early days we didn't even call them NFTs. We would call it 'art
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on the blockchain', or before that we were calling it 'dank
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rares'.
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The simplest way to describe a non-fungible token is really a
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digital representation of ownership in a individual
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aspect. So taking any sort of item, property, contract and
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essentially digitizing it and the non-fungible token itself
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represents your ownership stake in that asset.
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And NFTs can be pretty much anything from music to video
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clips, domain names, and even tweets. But the current craze is
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really around collectibles and digital art. Since its
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inception, NFT collectibles has generated over $5.6 billion in
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sales, while digital art has generated over 1.8 billion.
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Things like artworks and collectibles have become the big
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commodity of NFTs because they naturally fit into what NFTs
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are. They're sort of certificates of authenticity. So
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when you're collecting something, you know, you can
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have a physical copy of something and if that physical
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copy is unique, there's only one of that thing, it's easy to show
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the authenticity. But because of your digital being copyable,
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having this extra sort of like certificate of authenticity is
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really important to sort of show ownership of that particular
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thing.
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And the market is only about to get bigger. In October 2021,
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cryptocurrency exchange Coinbase and auction house Sotheby's both
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announced their intentions in launching their own NFT
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marketplaces.
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I think it's really exciting to see big companies. Budweiser,
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Arizona iced tea, those type of brands coming in and buying NFTs
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and saying we want to play in this space as well as like
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investment companies saying we're going to add crypto,
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whether it's cryptocurrencies or NFTs to our portfolio options or
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services that we can assist with.
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There's only a couple 100,000 users on even the largest NFT
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platforms today. And you know, when you have big players like
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FTX, or Coinbase or even larger entities organizations come into
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this market, it just expands the userbase.
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There are many reasons why NFTs have caught the attention of
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investors, but its most alluring quality lies in its potential
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for profitability. Take this cryptopunk art for instance. In
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2017, Cryptopunk #753 was sold for just eight ether worth
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$1,464 at the time. In 2021, the same artwork made headlines
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after selling for more than $11.7 million in a Sotheby's
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auction.
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I do believe that a lot of new participants are doing it
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because they believe there's an opportunity to make money. And
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it's not false. {eople have made substantial amounts of money in
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the market flipping and trading these assets online so it's not
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like you can't do it.
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There aren't many other good investment options, particularly
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for younger people. Because you can't afford to buy a house. You
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can barely afford to pay your rent. Your job probably pays
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your peanuts and the stock market is perceived as an
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insider's game. So why not put all your money into a digital
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lottery and see if you can't make a million dollars
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overnight? Who knows you could be the lucky one.
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Meanwhile, the underlying blockchain technology allows
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collectors to have a more accurate proof of authenticity
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and originality while giving artists more control over their
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work.
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The blockchain is ultimately a database and it's a list of
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transactions. And those transactions are spread out
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across many computers, which makes it hard if not impossible
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to go in and change them. So you can actually trust the records
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that are on the blockchain.
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Because of that, like I said, you have verifiable authenticity
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and verifiable scarcity. And when that happens, it's great
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for something like the art market or any collectible market
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because you aren't as concerned with things like forgeries, or
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not knowing like the production of a particular art piece, like
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how many prints exist in the world is really hard to verify
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in the physical world, but on the blockchain makes it
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possible.
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Artists also point out that NFTs have boosted the art scene,
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providing new revenue streams for independent artists around
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the world.
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NFTs allow us a new stream of income, which is fantastic that
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you could be anywhere in the world and you could sell an NFT
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to anywhere else in the world.
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Most artists aren't selling $70 million NFTs, you know, that's
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sort of the the outlier, I guess, for lack of a better
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description. But there are so many stories about artists,
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particularly during Covid, often who lived in economies, you
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know, countries with economies that really weren't that strong
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who lost their jobs during Covid. But were able to make
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enough money selling NFTs that they could you know, feed their
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family or buy a house or have that extra income to stay
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motivated while they're making NFTs.
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It opens you up to new audiences. There is a huge
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collector base of artists now that strictly collect NFTs and
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digital art and they don't want physical paintings. And I've
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offered people you know they might buy an NFT and I offer
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them the physical to go with it, and they say 'no, no, no, we
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just collect the digital stuff'. The provable scarcity and
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authenticity of NFTs really allow artists to control their
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body of work and follow it through its whole lifecycle
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because not only is the artist paid on the initial sale, but
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because everything is tracked on the blockchain, when a secondary
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sale happens. So if I sell an art to someone, and then they
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sell to somebody else, I'm actually getting a royalty paid
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back as the original creator. That's something that doesn't
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really happen in the physical art market.
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Despite its many unique advantages, many experts remain
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hesitant about entering the NFT market at its current price
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point. The fear is that the market has grown too big, too
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fast under immense hype and speculation.
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What's driving the price of NFTs at the moment, I think is
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probably a lot to do with just the hype around
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cryptocurrencies.
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I think what we see right now is the latest iteration of a
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rolling series of everything bubbles. But this may well be
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the apotheosis, the paradigm that the peak in the paradigm of
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everything bubbles, and it worries me intensely. Even if I
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fully understand the dynamic that drives younger people in
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particular.
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Volatility is another issue.
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Volatility is pretty inherent to cryptocurrency and the majority
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of collectors of NFTs come from that cryptocurrency background.
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So as cryptocurrency goes, so goes NFTs at this point in time.
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So as long as we have that volatility, we'll see a series
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of bubbles.
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Do you really want your pension tied up in an asset which can be
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worth $1,000 on Monday, a million dollars on Tuesday and
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$1,000 on Wednesday? Good luck retiring on that kind of
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presumed income flow. You can gain everything, you can lose
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everything.
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Concerns over security have also surfaced after numerous reports
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of thefts and scams made headlines in recent months.
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It's not that they're fundamentally insecure. I think
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a lot of the issues. It's like any kind of technology, it's
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very hard to find a technology that anyone will guarantee to be
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100% secure. So the question is really about trust and I think
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people are right to be wary
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of them. The NFT market is decentralized, which means that
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the onus of keeping your assets secure is ultimately on you, the
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investor. And so I think that they certainly can be very
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secure. If you as an investor, take the right precautions to
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make sure that when you purchase them you are backing up your
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private key, you are storing them in a safe wallet. You are
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using secure passwords and uncompromised devices and
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computers to purchase them.
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There's also the question of ownership. At its current state,
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while only a few can purchase a token, almost anyone can make
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unlimited copies of the original artwork. So what exactly are
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investors buying when they're paying for a token?
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It's this kind of really interesting conundrum I guess
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about what ownership really means when it's something that's
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digital and can be copied perfectly. Paintings, for
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instance, there's only one Mona Lisa, right? So if you want to
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go and see the Mona Lisa, you have to go to the Louvre in
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France, and you can look at it. But any copies that you make of
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that are not considered to be as valuable as the original.
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Whereas with digital work, because it's just numbers on a
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computer, you can make a perfect copy. And that makes it quite
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tricky to understand what the concept of originality is or
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authenticity in the sense of which is the authentic copy of
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this work, because all the copies are the same.
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When it comes to investing in NFTs, experts share the advice:
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buy the work that you truly love and wish to own.
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Don't buy it because it's an NFT, buy it because you like the
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art or buy it because you think the collectible is cool, or the
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community is cool. And you want to participate for the asset,
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not the underlying technology that powers it.
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Now what we're seeing is sort of mass speculation, where people
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are trying to figure out how can I buy this and flip it in three
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days and try to make you know, 10x the money, right? And those
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people are going to get burned. So I really do think it's
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critical that people only buy things that if the whole thing
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caved in tomorrow, you'd be like, 'Oh, I love these. I love
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my collection. I love what I have. I love that I supported
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these artists, right? I love that I'm part of this community.
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I love that I'm part of this history.' So I think that's the
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way you have to collect. If there's
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something that both the supporters and the skeptics can
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agree on. It's that this is just the beginning of the NFT
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movement.
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I think it's pretty clear that we're in sort of a price
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discovery mode, right? Where, you know, we don't really know
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how much these things are worth, you know, they're worth what
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people will pay them but the people that are excited about
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NFTs, that group is expanding.
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In the near term, yes, they will be volatile. I believe in the
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long run, I'm absolutely bullish and I think that there's a lot
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of opportunity.
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We're just the tip of the iceberg. I know that a lot of
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people see NFTs in the news or read about it, and they think
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that they might be too late, especially as an artist.
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Certainly not the case. I still think we have a long way to go
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but I also think that we've shown enough traction and it's
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changed enough lives that I don't think it's going anywhere.