Hush (2016) KILL COUNT - YouTube

Channel: Dead Meat

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[Intro]
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Welcome to The Kill Count where we tally up the victims in all our favorite horror movies.
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I'm James A. Janisse and today we're looking at Hush. Released in 2016 on Netflix.
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Hush was directed by Mike Flannagan who is one of the most impressive horror film makers of our time.
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He created the Haunting of Hill House Netflix series which is one of my favorite things
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And also wrote and directed the upcoming sequel to the Shining, Doctor Sleep.
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I read that very enjoyable book and with Flannigan in charge of the adaptation
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I am FUCKIN' pumped for it!
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Mike Flannagan cowrote Hush with his
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wife Kate Siegel, and as with many of his projects
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she also stars in the film.
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Here, she plays Maddie, a deaf, mute woman
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who becomes the victim of a sadistic criminal's home invasion.
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Hush is a wonderful twist on the home invasion sub-genre
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that blends the main character's disabilities with
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film making techniques to help put the audience in her shoes.
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In fact, Flannagan briefly considered making the movie
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entirely silent, to imitate Maddie's experience.
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But he decided against it after thinking about how most modern moviegoers aren't used to silent films.
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Instead, Hush switches back and forth from Maddie's perspective to what the other characters experience.
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But it keeps things quiet with only 15 minutes of dialogue throughout the near 80 minute film.
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Most of the screen time is instead devoted to the cat and mouse game between a sick minded murderer and our creative courageous heroine.
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If a kill happens in the forest and no ones around to hear it...
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Does it really count?
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Let's find out and get to them!
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The movie begins with some soundless production company cards before the silence is broken up by a...
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TITLE CARD!
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I heard you calling my name now.
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At a cozy little home in the woods author Maddie Young cooks in close-ups and although the sounds of sizzling and etc are audible to us...
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[sizzling and etc]
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Maddie doesn't hear any of it which is related to the audience and point of hearing sound design.
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She gets a visit from her neighbour Sarah who has been practicing
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her American Sign Language even though Maddie can read lips just fine.
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Sarah just finished reading Maddie's book and was a huge fan of its ending
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and Maddie explains that she came up with it because of her so-called writers brain.
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Their book club goes on for so long that Maddie's dinner begins to burn,
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setting off a strobing lights smoke detector with a thousand decibel alarm tone that's able to warn Maddie through vibrations.
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Maddie's first book, "Midnight Mass", gives the audience some backcover backstory about how she lost her speech and hearing which happened when she was 13.
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Meanwhile she's been working on a follow-up book named "Sweetwater" but if writing has ever been a part of your job
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you know that working can also mean just staring at a computer screen and frustrated silence.
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For Maddie though it's not completely silent since she has a
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a voice in her head that runs through all the scenarios she could write for her story's ending.
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[chaotic voices] Need something more some things okay better Aaron dies I can't
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kill Aaron piss em all off and set it up properly
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For various alternate endings are actually endings that Flanagan and Siegel went through during the writing process which was quite a unique one.
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"We would like sit in the house, Kate would sit inside and I would go outside and try to find different ways to break in."
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"Yeah which was great." "It was really really fun."
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Yeah, they actually wrote most of the script by acting out different invasion techniques and they had to do one last rewrite when they finally found their
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shooting location - a house in Alabama with a different floor plan than their home in Glendale that they used for blocking.
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As Maddie productively procrastinates by cleaning, we see Sarah slamming to the door outside, crying for
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help from her neighbor who can't hear her please. After failing to get Maddie's
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attention Sarah is shot with a crossbow bolt and accosted by a masked man who
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then stabs her a couple of times in the gut. Oh wait, I'm sorry. Did I say a couple?
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I meant a frigging dozen, cuz this guy goes to squishy town on her abdomen with
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some serious overkill, all while staring through the window at Maddie the would-be witness.
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The criminal is known only in the credits as The Man, even though he don't look like Becky Lynch to me and after realizing his unique situation
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he simply opens the door to Maddie's house and stands behind her menacingly
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and she's too busy typing shit about herself to notice him at all.
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A FaceTime call from her sister Max scares the man into crab walking away
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and although Max notices him as he steals Maddie's phone,
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"Listen, behind you, I thought I saw something move"
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Maddie blames it on her kitty cat and pays it no mind. She's just about to get ready to get back to the hard work
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when she gets a picture message on her laptop from her own phone and it's of her
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sitting on the couch and walking around her house. Wow, that is skin crawlingly creepy!
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Maddie follows the angle from the last picture sent to find the man in a mask
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standing outside her open sliding door.
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She rushes over and closes it right before he can get back inside, then heads him off at all of her homes other
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entrance point, safely locking the crossbow wielding son of a bitch out for now.
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I know what you're thinking: why didn't the man kill her when he came in the first time?
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Well, as you'll see this dude's in it for the game of it all.
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He's one sick motherfucker.
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Before Maddie can FaceTime anyone for help the man shuts the power off from the outside,
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then uses the momentary pause in action to taunt her by rubbing some knife blood on the window.
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There, I guess, Sarah blood. Sarah blood that was on the knife, you know what I mean.
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After he stabs out her tires, Maddie is left feeling more isolated than ever but this woman's a problem solver
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so she gets the idea to write him a lipstick message on her window that says her boyfriend's 'bout to
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be back and he's gonna be in trouble. Hey, la de la!
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She also says that she never saw his face so there'd be no liability and letting her live
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but he removes that deniability by removing his mask to reveal that he's that guy from The Belko Experiment?
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Yeah, it's John Gallagher Jr. and I've got to say I know he wasn't plenty of other things like newsroom
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but I just love that in the span of only two years he was the calm level-headed protagonist in Belko,
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a nervous survivor in 10 Cloverfield Lane and the sociopathic murderer in Hush.
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Mad props for all that variety in the genre, dude.
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The man sauces out that Maddie can read his lips,
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"Nod your head if you understand"
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so he takes this opportunity to tell her what's up. First off now she has seen his face so yeah,
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that's a problem. Also, he was in the room when her FaceTiming sister talked
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about how lonely Maddie must be all by herself in the woods. So this dude knows
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that the boyfriend line is BS. Finally he tells her that he's here to have fun.
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"I can come in anytime I want. And I can get you anytime I want.
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But I'm not going to. Not until it's time. When you wish you dead."
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Wow, the man sucks! He walks away with a kind of hilarious little half turn at first.
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I don't know what that was but I loved it! And Maddie continues to be doped by
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arming herself with a knife. Oh, and a hammer. Hell yeah, dual wield that shit!
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She barricades herself inside a room and takes a defensive position at the window
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but the man must have figured out she was in there cuz here he is now!
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Tap tap tapping on the glass with Sarah's dead body! Yeah, Maddie, I hate to tell you but
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the man is not your run-of-the-mill criminal. This guy's fucked up.
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Maddie allows herself to feel helpless for a minute before she comes up with another plan of action.
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Realizing that Sarah's phone might be in her back pocket,
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she uses her car fob to set off her vehicle's panic setting. While the man
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goes to see what's going on, she rushes back to that window
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and goes a-pickin through Sarah's pockets. Maddie's unable to find the phone before
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the man comes back around but she does manage to crush his fingers with the
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window and hit him in the arm with her hammer, leaving him with a gnarly flesh
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wound while she locks him back out again. Nice try, Maddie, but turns out that plan
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was in vain anyway. Sarah's phone was already taken care of by the man.
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Damn, that buzz cutted bastard, he thinks of everything!
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Maddie's next course of action is to just try and make a run for it but a
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close call with a bolt from the Mane's crossbow sends her scrambling back
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inside, putting the players once again back in their starting positions.
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Maddie then goes upstairs and out a second-story window onto the roof of her house.
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She uses the man's hearing against him by tossing her flashlight loudly
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into the woods and that sends him away from the house to check it out.
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Damn, Maddie, you friggin chucked that thing! You play softball or something?
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Unfortunately, her escape attempt here probably causes too much noise that she
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can't hear and while she's climbing down a trellis she gets a crossbow bolt in the leg.
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Damn! Thankfully she manages to avoid a second one with some wicked flexibility.
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Despite her leg injury she's able to steal the crossbow from the man
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and knock him off the roof but she's unable to figure out how to work the
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thing before he climbs back up the trellis so back into the house she goes!
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You stay out, mister man! No boys allowed! Okay, bye, I guess.
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She crawls into the bathroom and washes out her wound, then ties herself a tourniquet around her leg.
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All right, Maddie, you're good to go. Get back to the fight! While trying to figure
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out that crossbow again she notices some engraved notches on the weapon.
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Uh-oh, is that man keeping his own Kill Count? Better learn how to use that bow soon, Maddie,
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this guy's a professional! While she's working on that a guy shows up at her house.
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This is Sarah's boyfriend John who kind of looks like a buff Adam Scott
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and he's there wondering where the hell his girlfriend is. He sees the lipstick
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message on the window but before he can call for any help
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he gets duped by the man. "I said on the ground, drop it!"
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The man approaches John with a flashlight acting
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like a police officer and the blinding light is so convincing that he even gets
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John to turn over his wallet but even though the man rolled high for this deceptive performance,
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"- You're police? - Deputy. Just barely though.
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he's still dressed like a fucking graffiti artist and John begins to suspect that something's up.
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John plays it cool and stealthily picks up a rock to take this faker out
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but then Maddie tries to warn John, distracting him long enough to get a knife in the neck.
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I don't know what's more disturbing, the stab itself or the man's total nonchalance about it.
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Another stab takes John down and as the man continues to gloat about his underhanded ways,
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John appears to die. Just kidding! John finds the strength to
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wrassle the man to the ground and even gets the guy in a stranglehold of some sort
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but John's strength and life give out on him and he dies before he can seal the deal.
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Damn, man, at least you tried before you die.
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Maddie makes another run from her house towards the woods but with that leg wound of hers
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the man catches up and knocks her to the ground with a rock, then he... wait, what?
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He bashes her brains in with the rock, what the fuck? And fuck you, Hush!
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You're not supposed to end like this!
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You can't run.
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Oh, good. You didn't. Nope.
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Maddie's head voice is now running through all the different possible
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outcomes for the situation just as if she were writing the ending out in a book.
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[chaotic voice]
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Her brain voice runs through all of her options and she realizes that just hiding until the man goes away
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won't work and she would just bleed to death from her still open leg wound.
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Oh, and obviously I won't be counting any of these hypothetical kills on the list but
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hey, if Maddie's new plan works out we'll be adding to the count again in no time.
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Outside, the man comes across Maddie's cat but thankfully she springs into
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action before he can kill the kitty. A bolt to the shoulder hurts the man but
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after Maddie runs back inside, she gets her arm caught in a sliding door slam
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and the man makes things a whole lot worse by raising his foot up and pretty
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much stomping her hand apart. Oh, man, that one hurt to watch. She locks him out once
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more but he's done with this shit and tells her that game time is over.
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"I'm coming in." Maddie finds some resolve and stands to stare her tormentor in the face.
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With some blood from her leg wound she writes a new window message and
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the challenge is ah, do it motherfucker! Maybe I will! Gosh! As the man retrieves a
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crowbar and starts to smash the window in, Maddie writes out a physical
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description of him in a goodbye message for her family, then she locks herself in
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the bathroom with a knife, while outside the man proves unable to break through
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her sliding door glass. Damn, Maddie, what you got there, wall side windows?
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That's okay with him though, he'll just come in through the bathroom window, which we see
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from the broken glass shards falling behind Maddie but because of the sound
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design we know that she never hears it. The man over plays his hand by leaning
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over her and gloating and when he laughs at his own joke,
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she feels it on her neck. Maddie reacts with the little flippy stab and sticks
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her knife in the knee of the man, then she runs away from him out of the
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bathroom but her blood loss has left her feeling a little woozy
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so she passes out in the kitchen before she can rearm herself. Or so the man
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thinks as he limps over to finish her off. Only to get a face full of wasp killer spray.
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Ouch, I bet that stings! Maddie turns on the fire alarm and uses
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the head's splitting sound to disarm the man but before she can pick up the knife
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he takes her to the ground and they get into a fight. A bitey strangly fight.
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He just about has her dead, her pulse slowing beneath his fingertips when her
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hand finds a fallen corkscrew on the ground. A stab to the man's neck
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pierces through it entirely and the evil bastard splurts blood out the hole for a
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couple of beats before it finally takes him down and he falls to the ground dead.
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We've had some detestable killers on the Kill Count before but this dude was one of the shit baggiest.
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Maddie recovers from the strangling and retrieves her phone from the man's pocket to call 911.
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The movie ends with her stepping out onto the porch, petting her still okay kitty cat and waiting patiently for the blue blinking lights of the cop car to arrive.
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Good job, girl, you did it!
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How many kills occurred while Maddie defended her home? Let's find out and get to the numbers!
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Only three people died in "Hush", a quiet count for a quiet movie.
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The victims consisted of one woman and two men, giving us a two-to-one ratio of dudes
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and with a runtime of 78 minutes that left us with a kill on average every 26 minutes.
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I'll give the Golden Chainsaw for coolest kill to The Man because it's
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so splurty splurty and it's great to see that bastard finally get his comeuppance.
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Dull Machete for lamest kill will go to Sarah, I guess, because I
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really liked the fight that John put up while he died so I didn't want to give it to him.
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And that's it! Hush came out in 2016 and is one of many impressive works on the ever increasing filmography of Mike Flanagan.
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Until next time I'm James A. Janisse, this has been the Kill Count.
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Thanks a lot for watching this Kill Count. I want to thank some patrons like Hayley Nicole, South Arc, Luis Morales,
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Kayne Applegate, Brian Torres and Loni Washington.
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This is unfortunately the last summer sunday Kill Count.
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With august here we're gonna start covering "Final Destination" and those movies are a lot. So back to one a week for a while. Sorry!
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Hope you enjoyed all the extra episodes though. Be good people!