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HOW TO SHOOT LUXURY REAL ESTATE - YouTube
Channel: MAKE. ART. NOW.
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yoyoyo josho today I'm taking you guys
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on a field trip we are going up to
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Sunset Strip
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we're gonna go film a twenty million
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dollar home I'm gonna give you some tips
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on how to shoot some high-end real
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estate
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[Music]
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so the number one thing is you're gonna
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want a camera that has log format sony
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a7s to a7 r2 a7r Mark 3 but you can even
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do it with the a 6300 6500 a 7s mark 1
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the list goes on when you are shooting
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real estate you want the walls and the
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interior space to be as bright and as
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welcoming as you can and you also want
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to be able to expose for the view
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outside especially with these high-end
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houses a 20 million dollar house is only
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worth 20 million bucks because of the
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view now with regular picture profiles
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you'll expose for the inside and the
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windows will be blown out you'll expose
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for outside and the inside will be very
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dark and it won't look friendly or
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welcoming s log2 can be easily accessed
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in your picture profile mode for all of
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those cameras listed it's the exact same
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turn the camera on you go to menus
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picture profile 7 this is your base s
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log 2 it's the most aggressive s log
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there is you're gonna get the most
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dynamic range out of that
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don't bother with s log 3 s log 2 is the
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one you want you will get 14 stops of
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dynamic range s log 2 is very hard to
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work with you are removing a ton of
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saturation contrast and detail and it
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makes it difficult to make sure you're
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in focus or sometimes even make sure
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you're exposing right the best way that
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I've found is I actually created my own
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what I record to an ad on mos external
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recorder and I burn my LUT in so I'm
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constantly exposing on the fly I'm
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seeing exactly what the final image is
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and then I'm recording it to the Atomos
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and I'm burning that file in there so I
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don't have to do any color correction or
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any of that in post but I have the power
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of s log and that right there is the
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number one game-changer that has
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elevated me from $200,000 homes to two
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hundred million dollar homes
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that's a humble brag right there go
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ahead and delete this part from the
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video now the easiest workaround for not
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having log in your camera is just shoot
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everything at sunset you actually need
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less dynamic range during sunset you can
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expose for interiors annex
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[Music]
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so the second thing that you're in a
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want in your kit is the right lens
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I recommend the 12 millimeter la Wa for
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big real estate stuff you're gonna need
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at least a 14 millimeter and if you're
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just starting off and you can only
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afford one lens 1635 will hold you over
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for a really long time but if you can
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afford it I would recommend rectilinear
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lens it means your vertical lines are
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gonna look straight it's gonna make
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everything look amazing it's blazing
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fast you can open it wide up and you're
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gonna have very little distortion
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formatic aberrations or vignette inky
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lower lens it's about a thousand bucks I
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get it it's [聽__聽] expensive but if you
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want to go legit this is what you gotta
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do
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alright tip number three you're gonna
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have to clean it sucks the truth is that
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these homes that you're gonna first
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start out doing 90% of your work is
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gonna be just straightening organizing
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aligning things wiping things down I
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bring Windex with me in a rag just to
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kind of polish things up and make chrome
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shine so when I first started off it
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wasn't with these mega mansions it was
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with two hundred thousand dollar homes
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in Bakersfield you gotta hide people's
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junk in this house it looks pretty
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amazing because it has five hundred
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thousand dollars of set-dressing
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I still had to Swiffer the white floors
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and I had to bring in the trash cans for
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the drone shots so you know just
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[Music]
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half of my job is being a janitor
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despite being around amazing stuff if
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you guys haven't already got a gimbal
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you have to jump on the bandwagon you
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got to get a gimbal it's 2018 every 12
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year old now has a gimbal this has
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easily replaced by tripod glide cam and
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slider this is the workhorse I use this
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for everything I would not be able to do
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as much real estate videography as I am
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without this bad boy the one I recommend
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is the Zion crane - it'll hold 1dx mark
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- with a 24 to 70 lens it doesn't get
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heavier than that you know the Zion
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crane - is about 700 bucks but there are
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cheaper ones especially for the lighter
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cameras that I mentioned you get one for
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like three or four hundred dollars
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nowadays which is a steal like you can't
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even get a good tripod for that so
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[Music]
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but the last little pro tip is that you
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always want remember you're selling
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something so there's things that you
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want to show there are things that you
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want to accent and there's some things
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you want to hide and this philosophy
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also goes into the whole style of the
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video that you make the flow the style
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the shots that you get the Edit the pace
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of the edit the music that you pick all
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these things factored in if you're using
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all these crazy flares and transitions
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and luma fades and you know these fun
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little flip rotation things that I like
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to do in my videos
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you're not gonna appeal to someone
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that's actually gonna buy the home they
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just want to see the information they
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don't care how flashy or trendy or
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whatever it looks they want the
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information what are you selling
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why are you filming this bedroom I'm
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filming this bedroom because it's the
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main master bedroom and it comes with
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this freaking amazing view and this is
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what's gonna sell this home this room is
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what makes this home worth 20 million
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dollars and not seven million dollars
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like the house next door all right so
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we're here at the last shot of the day
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and the money shot the nighttime shot I
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know this this house is gonna look
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amazing with the pool lights and
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everything like that if you guys found
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this video helpful you guys want me to
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do some more blow me up on Facebook you
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can like my little fan page or you can
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blow me up on Instagram or just hit a
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little button down there and blow me up
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that way anyway this Josh Joe saying
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thank you very much stay creative
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you
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[Music]
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