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The Golden Thread: Episode 3, Making Meaning - YouTube
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[3]
Gold is a cue.
[6]
It tells us something is special,
sacred, prized, alluring.
[13]
When an object is gilded or glittered with gold,
we know it probably has significance.
[20]
The presence of gold makes a big difference
in our global culture, local customs,
[25]
and even in our understanding of the world.
[29]
This is the story of how gold is making meaning.
[36]
Imagine all of the things that have come and gone
since civilisation began,
[40]
all of the currencies and markers of wealth
that have fallen in and out of fashion,
[44]
and all the while, one thing has remained: gold.
[49]
The first gold coins originated in China
and Lydia around 2000 years ago.
[54]
And ever since, whole global monetary systems
have been developed on a standard of gold.
[61]
American banker JP Morgan famously said...
"Money is gold, nothing else."
[67]
This symbol of wealth
also came to be a symbol of worth.
[72]
We all know the value that gold possesses,
[74]
but for thousands of years
before gold meant money,
[77]
it meant something else: sacred.
[83]
Gold has been connected to the cosmic
and the divine since pre-history.
[89]
It's come to represent the heavenly
for many civilisations
[92]
and has been used to signify the sacred
in a vast range of cultural artefacts.
[98]
During the Byzantine era, gold ground paintings
[101]
used gold leaf sheets to depict figures
against a heavenly sky.
[106]
And it turns out, early glass makers were even
unknowingly adopters of nanotechnology,
[112]
using tiny particles of gold
to colour stained glass.
[117]
Gold's use in art has endured
all these centuries later.
[123]
Any time we see gold throughout art history,
[126]
we know that we are
to view this person as important.
[131]
That is the role that gold is also playing
in my work as well.
[139]
Being a mother has influenced my work.
[142]
The times that I would take my children
to museums,
[145]
we were walking and walking and walking
until we finally came across a face like ours.
[150]
So my work is my way of repositioning
Black bodies and faces
[156]
into a style of work that we have been
excluded from in Western culture.
[164]
My process begins with a portrait sitting.
[168]
They're usually somebody that's close to me
and I will, in a way, erase the dress,
[174]
but somewhat keep the shape and form.
[177]
Gold is applied, and I use 24-carat gold leaf.
[181]
It's beautiful
and it really just amplifies the work.
[186]
It takes it to a whole 'nother level.
[189]
And so I'll just put layers of gold,
and then I'll do layers of acrylic paint,
[195]
and then will add more gold,
[197]
and I'll just continue to work
until I feel that I'm done.
[202]
I am using gold to adorn my subjects,
[205]
to signify how important and valuable
my sitters are.
[211]
I want the viewer to take away a feeling.
[215]
I want them to have a spiritual experience
when they're viewing the work,
[219]
but I also want them
to look further than the beauty,
[222]
and dig deeper into the messages
and the issues that I'm bringing about.
[230]
Gustav Klimt, I just remember the way that I felt
when I viewed his work from his golden phase.
[238]
The work gave me feelings
of magnificence and regality,
[242]
and just beauty,
and pretty much stopped me in my tracks.
[247]
Really just remains in my subconscious
[249]
no matter how hard I try to move away from it,
it reels me back all the time.
[255]
I thought that gold would be a phase.
It would be Tawny's golden phase, maybe.
[260]
But the more I try to move away from it,
the more it pulls me back.
[265]
I know that I will forever be driven
to create this work,
[271]
reinterpreting art history's use of gold.
[278]
It's not just Western civilisations
where gold holds such history.
[283]
It's something that marks meaning
all over the world.
[287]
Like at the Lakshmi Narayani,
coated in up to ten layers of pure gold,
[293]
which welcomes all religious beliefs
and trusts that its gilded nature
[297]
will bring good fortune to its village.
[304]
Gold is purity, gold is sanctity.
[309]
It gives a sense of well-being.
[316]
Gold is a very intrinsic part of Indian history,
and heritage, and culture.
[321]
The existence of gold can be traced back
to Vedic culture, the four Vedas.
[326]
And when you're looking
at the archaeological sources,
[328]
we have gold being a part of our culture
and heritage right from the sites of Harappa.
[334]
You also have these texts that actually speak
about the presence of gold as very authentic,
[339]
and a very integral part
of well-being of the country.
[343]
So gold becomes very important for Indian society
[345]
because it is a sign of economic wealth,
it's a sign of prosperity.
[348]
It is also a sign of a tradition.
[351]
And as far as India goes, as far as we go,
we are continuing that tradition.
[359]
All Indian weddings are exceedingly grand.
[363]
The gifting to the bride
when she's getting married is largely gold.
[368]
It is called a stridhan.
[369]
Stri basically means woman,
and dhan in that sense means wealth.
[374]
It's something that belongs to her,
[375]
and she could do what she wanted to do
with that stridhana.
[379]
It could be starting her own business,
or for her own self-actualisation process,
[383]
or for any reason of her choice.
[387]
So stridhan is a very unique setup
that we have in our country
[391]
which actually talks about empowerment of woman.
[395]
A classic example of that
is the temple site that I'm studying
[399]
where there is this temple
called Svarga Brahma Temple,
[401]
which is in Telangana state,
the site of Alampur,
[404]
where that temple has been commissioned
and constructed by the queen.
[409]
And that construction of the temple
[412]
has largely come from the wealth
that she actually has.
[417]
The temple was actually a centre for learning
for the local population.
[421]
So in that space of a woman being very empowered,
[425]
for her to have gold
is also a sign of economic prosperity,
[429]
and the fact that she's celebrating life.
[435]
The presence of gold in our country
is here to stay
[438]
because the value of gold
is not going to diminish.
[441]
So something which has existed for so many years,
so many centuries, across civilisations,
[447]
I don't see that going away anywhere.
[454]
What we believe in and how we express it
helps many of us find reason in the world.
[460]
Art and religion are two ways we make meaning.
[464]
Another is science: turning to what can be proven
to help us understand the universe.
[471]
And just as gold has been used
in art and religion,
[474]
it's also being used to make meaning
in the scientific realm.
[479]
Quantum computing harnesses
the unusual properties of the quantum realm
[484]
to try and tackle incredibly complex problems
that even super computers can't crack.
[489]
Quantum computers, however,
are exquisitely delicate.
[493]
And so gold is used for conductivity,
but also to protect the delicate machine.
[500]
When you first look at a quantum computer,
the first thing you'll see is gold.
[507]
And gold's role in quantum computing
is even beyond surface-level.
[512]
Recent science has shown gold could be promising
in helping us understand mysterious qubits,
[518]
or the chains that can form between them.
[521]
The hope is that all of this
[523]
could help us uncover a little bit more
about how the universe works.
[528]
If we are on a quest to make meaning of the world,
[532]
then this is one of our greatest hopes.
[537]
When it comes to making meaning,
gold is in a class of its own.
[542]
It helps us to find order in the world,
to recognise higher powers,
[546]
to come together, and to stand on our own.
[550]
And perhaps next, it will even help us
to answer questions about the universe.
[556]
And still, there is more
that gold means for the world.
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