Tricking My Way Into NYC's Billionaire Penthouses | Fakes, Frauds and Scammers - YouTube

Channel: VICE

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<i>As a real estate agent,</i>
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<i>you never really know who you’re dealing with.</i>
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<i>She could have been an actual billionaire.</i>
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<i>She could have been a scam artist,</i>
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<i>and I would never know the difference.</i>
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This project is kind of like a Robin Hood project.
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I pretended to be a billionaire
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so I can get into the most exclusive apartments in New York.
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We're not just selling a building.
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The reason why people are living here
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is because of the lifestyle that we’re offering.
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Eighty-five million.
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Ten million.
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Sixteen million.
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These people are the 1 percent of the 1 percent.
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I think it’s really obscene that these buildings exist.
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<i>Your maid would be getting ready with dinner</i>
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<i>while you’re just having one of the finest champagnes</i>
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<i>in a soaking tub with your husband.</i>
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<i>Imagine waking up every morning to these views.</i>
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<i>Gabriella...</i>
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<i>I really see you living here.</i>
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[FAKE BILLIONAIRE]
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The cheapest property I’ve been to was 10 million,
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and the most expensive was 85 million.
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They manipulate the cities
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to the disadvantage of everyone else in the cities.
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My name is Andi Schmied,
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and in 2016, I spent three months in New York
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at an artist residency program.
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Basically, this whole idea started with the biggest clichƩ
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that I went up to the Empire State Building,
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and I saw the views.
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And I basically realized that there are lots of buildings
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that are as tall or even taller than the Empire State Building.
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And I just basically was really curious about
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what the view from those buildings looked like.
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That’s when I started to work on my book and my project.
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I chose 25 buildings, high, which were luxury towers.
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<i>Ninety-three stories above the city,</i>
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<i>this is what $81 million gets you:</i>
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<i>a full penthouse,</i>
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<i>8,400 square feet with floor to ceiling views of a metropolis.</i>
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My goal was really to show those views
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that are considered to be the best views
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you can privately own in New York.
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First, I really just wanted to photograph the views for the book.
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As I was going deeper and deeper in this world,
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it became more and more obvious
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that it’s something totally bizarre and crazy.
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I was laying in bed, and really I was just thinking,
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ā€œHow could I get in those buildings?ā€
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I remember I talked about the project
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to the curator who was working at the residency, and she told me,
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ā€œNo way they would ever let you in without a credit check.
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The only way for that is to pretend to be a billionaire
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who is searching for an apartment.ā€
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From the moment that I started to work on the project,
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this was pretty much the only thing I could think about:
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write it down, check the address,
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go home, check if there’s any real estate available,
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call the agency,
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and usually, next day, go and see it and take a picture of the view.
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And so really, for three months,
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I was living in between this Gabriella,
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which was my billionaire persona, and myself,
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back and forth on the A line from Brooklyn to Manhattan.
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My name is Daniel Rosenstein.
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I've worked in real estate for four years.
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I met Andi two years ago
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when she was infiltrating New York’s most exclusive properties.
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I was doing Airbnb in my apartment in the Upper West Side.
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And first, I remember that he asked me,
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ā€œWhat are you doing in New York?ā€
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And then he said he’s a real estate agent.
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I was actually a bit hesitant to tell him what I came here for.
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She told me that she was making a book.
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So I think at first, I was like, ā€œOh, is she mocking our profession?
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I’m just a pawn in your project here.ā€
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And then the more she was talking about it,
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the more I saw her point of view,
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which is almost nobody has access to these apartments.
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You have to go through a doorman.
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You have to reach out to a real estate agent.
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It’s not a normal real estate market,
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where you can show up to an open house.
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She asked a few questions,
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I think how to navigate getting into buildings.
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I told her to use the term, ā€œWe’re looking for a pied-Ć -terre
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or second home in the city.ā€
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A lot of really wealthy people look for second, third,
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fourth, fifth homes,
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and she at that point had essentially created her whole persona.
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Gabriella is my actual middle name because, at the beginning,
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I didn’t know if they would check my passport ever.
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And actually, at some of the properties, they did check it.
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And I remember, back then, I got really obsessed by
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many of these small details— that I need to do my nails,
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and I need to have proper shoes, proper bag.
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In order to do this project,
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I needed to bring my camera and photograph the view.
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This made me obviously very unusual in the eyes of the agents.
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But I also realized that the stranger I act,
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the more convincing it is that I’m actually a billionaire,
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and I just don’t give a shit.
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I was really, really nervous at this very first viewing.
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The agent started to ask me if I have a chef, if I have a nanny,
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if we have a private chauffeur.
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So I just randomly answered yes and no.
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And all of these answers kind of became part of what Gabriella was.
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<i>Tell your husband every morning</i>
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<i>that this is really where you want to be.</i>
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There are a few different types of agents.
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There are the ones who are very natural
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and just showing you, here is the kitchen,
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here is the bathroom,
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this is the price.
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And there is the complete other end of the spectrum.
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<i>You will feel, Gabriella, it is like going on a journey</i>
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<i>from the sidewalks of 19th-century, old New York</i>
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<i>to the sidewalks of Florence.</i>
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I actually might just prefer the 21st century--
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<i>Imagine your daughter running around saying words in Hungarian.</i>
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It was really hard to keep a straight face in those viewings.
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I mean, it was really bizarre what they were telling me.
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<i>Sit down, Gabriella.</i>
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<i>It really is a moment for you.</i>
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<i>Just tell your husband.</i>
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<i>He loves you, and he wants you to be happy.</i>
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<i>I’m sure he will not say no to you</i>
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<i>if you let him know this is really your first choice.</i>
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Because this ultra-luxury segment of the real estate
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is actually now not really going that well,
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the newer the development,
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the crazier the amenities they have
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because there’s really this huge competition.
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One of the things that became an absolute standard for these buildings
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is the golf simulator room,
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Michelin-starred private restaurant in the building,
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theater, swimming pool, obviously.
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Equinox gym.
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They have a children’s playroom, a billiards room,
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a conference room, and everything in between.
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In one of the penthouses,
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it was that they would give you a yacht as a present
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when you buy the apartment.
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A yacht.
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So you mentioned the number of people who are actually living in poverty,
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according to the federal poverty numbers.
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But we all know, living in New York, it’s a whole different ballgame.
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<i>The average rent across the city</i>
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<i>has returned to nearly pre-pandemic levels.</i>
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We built fewer homes in the 2010s
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than in any decade going back to the 1960s.
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I think the way poverty is usually portrayed is from the bottom.
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So, talk about homelessness,
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or you talk about people who cannot afford housing.
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I think when you see it from this very top of the sphere,
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it somehow is also very telling.
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The buildings that you can see from every single corner of the city
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are these ultra-luxury real estate,
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which are not accessible for anyone, really.
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Apartments and buildings are standing 60 to 70 percent empty.
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<i>Commercial and residential wonderland</i>
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<i>featuring some of the city’s tallest buildings</i>
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<i>and most expensive restaurants and condos.</i>
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<i>If you are looking to call Steinway Tower home,</i>
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<i>studios start at $7.7 million.</i>
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Listen, not to be not sympathetic to the homeless,
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but if you live in One57,
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you’re paying millions of dollars to live there.
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Do you want a homeless shelter in your building? I don’t think so.
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We are not building enough housing
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for everybody who needs a place to live.
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Here’s what it’s like living in the smallest apartment in New York.
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Wherever your expectations are, lower them.
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So these buildings are kind of really soulless, in a sense.
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They are super standardized.
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The trends that I see in these properties
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are a lot of the same finishes and materials used.
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Some of the floor plans are the exact same.
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I think it’s a really challenging task
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to create something different
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when you’re working with essentially the same floor plan,
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which is a tall square or a rectangle in the sky.
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Oh, wow. Who was the interior designer?
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<i>Deborah Berke.</i>
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<i>There is no one better in design at the moment.</i>
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So you have always some very special type of marble in the apartment
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that the agents would always highlight.
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<i>The marble is Siberian,</i>
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<i>which is now the best on the market.</i>
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Then you would have the oak floor,
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which is always the best type of oak floor.
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And there’s really nothing
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that would make any of these buildings stand out, to be honest.
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But it’s not really surprising when you realize that
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it’s solely a form of investment, most of the cases.
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So it’s really not about living, and it’s not about having a soul.
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And it shows.
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It’s really obvious when you are there.
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One of the most striking things was
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how agents are trying to always go out of their way
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to tell me that no one else lives in this building,
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that I'm not going to have any neighbors.
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A lot of these Billionaires’ Row towers
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are investments for overseas and local people,
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so they’ll rent them out or they’ll just own them,
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have them sit empty for a number of years
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and resell them.
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It’s a safe investment. It holds value over time.
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But what that translates to is buildings sitting empty.
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There’s a trickle-down effect,
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so once the hyper-expensive properties
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become even more expensive,
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it raises the value of everything else beneath it.
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I get very often the comment
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that this project is kind of like a Robin Hood project,
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in the sense that I’m getting the views which other people
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or most people cannot see to the public.
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And it’s like being so high up, it’s cool.
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But then it didn’t feel good to be there, in a way.
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One of the very big problems of these buildings,
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they are casting sometimes hundreds and hundreds of meters of shadows,
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for example, over Central Park
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or over other people’s up until then sunny living rooms,
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or just over the streets.
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And so, somehow, these buildings that are not even lived in
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are taking away such natural things from the rest of the city
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as sunlight.
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There’s a lot of money in New York.
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And I think there will always continue to be
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a lot of money in New York.
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I do think it’s going to be more segregated.
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What I’ve learned from this project
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is really just how obscene differences are in society, I guess,
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and how this can translate into
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this very literal physical form in the city
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and how that is impacting everything around it.