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How Disney Ruined Culture - YouTube
Channel: Wisecrack
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this video is brought to you by
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wondershare filmora 10.
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[Music]
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what's up wisecrack michael here and i'm
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back in a heavily sanitized wisecrack
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studio
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please people wear your freaking mask
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anyway
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today i've got disney on my brain and
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not just because my nostalgic mom keeps
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sending me this photo
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and who can blame me they basically own
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or license
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everything i love and everything i hate
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and that's not to mention the new season
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of the mandalorian because they own
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star wars also x-men that's right they
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own the x-people
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and just take a gander at the top
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grossing films last year and you'll be
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greeted by one name
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and one name only see from endgame to
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aladdin from frozen 2 to toy story 4
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disney made 7 of the top 10 highest
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grossing films of 2019
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and while this feat is impressive even
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for the big mouse
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it's not exactly something new in fact
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many of the
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top 50 highest grossing films of all
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time were either
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made by or later bought by disney now
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maybe for some of you this doesn't
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matter as long as you get that marvel
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cinematic goodness injected into your
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eyeballs a few times a year
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and i totally get it but what if i told
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you that disney's ever broadening
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artistic reach is actually
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bad for culture and not just because
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they made the worst
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star war how let's find out in this
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wisecrack edition on how disney ruined
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culture
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and i guess spoilers ahead for films you
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absolutely saw if you were ever a child
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but before we get into it i wanna give a
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shout out to this week's sponsor
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filmora now
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back to the show in the past few decades
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disney has gone from an industry giant
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to an absolute behemoth acquiring
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everything from the muppets to pixar to
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marvel to star wars to most recently
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21st century fox
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of course disney's game of hungry hungry
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hippos but for intellectual property
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goes
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way back to the beginning according to
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the company's own telling founder walt
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disney moved to los angeles almost a
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hundred years ago with and i quote
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a lot of hopes but little else how
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wholesome
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four years later disney got his first
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taste of success with oswald the lucky
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rabbit
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the only catch when disney tried to make
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another round of these cartoons he found
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out that his distributor had gone behind
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his back and poached all of his
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animators
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worse upon reading the fine print of his
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contract disney realized he didn't even
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own the rights to oswald his distributor
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did and thus like a super
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villain's origin story our intrepid
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young walt vows to never get screwed
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again or as disney.com puts it he saw to
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it that he owned
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everything that he made after that
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disney set up shop in a studio that is
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five minutes away from wisecrack
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headquarters
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and is now a high-end grocery store here
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he created his most
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iconic character from then on disney
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became a veritable creative and
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financial powerhouse by 1937 it would
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break all box office records with the
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release of snow white and the seven
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dwarves
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early on though the success was
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predicated on a simple formula
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find an existing story make it as cute
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and wholesome as possible to maximize
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your potential audience
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and then dive into your scrooge mcduck
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sized money pool
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of course you might think this is fine
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after all pop culture is by definition
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entertainment aimed at the largest
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possible audience and disney definitely
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had one thing
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an aesthetic you know round faces saucer
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eyes big goofy grins and if the kids
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love
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it how could it be bad but as we've
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mentioned before
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disney's reign of cuteness was not a
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happy accident or mere coincidence
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walt was basically ruthless in his quest
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to make all things adorable and in the
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process disney has spent the last 100
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years acquiring stories
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adapting them and ultimately twisting
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their original artistic intentions
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beyond recognition
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all of which is to say is all this
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cuteness actually super
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uncute but to see the disney method in
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action let's dissect an early example
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pinocchio for the uninitiated the story
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revolves around the titular puppet who
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just wants to be
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a real boy as the magical blue fairy
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tells him his wish will be granted if he
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proves to be brave
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truthful and unselfish and someday you
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will be a real boy
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a real boy but pinocchio's not about
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that life he runs away from home joins a
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puppet show and
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lies to the blue fairy about it which
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famously leads to this
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the fairy lets him off the hook but
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pinocchio doesn't stay out of trouble
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for long he soon whisked away on an
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all-expense trip to the dubiously named
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pleasure island
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there pinocchio and his resort buddies
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engage in all sorts of vices from
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drinking to smoking to gambling
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only to find out that they're turning
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into donkeys
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but with the help of his cricket
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companion pinocchio narrowly escapes
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only to learn that his daddy got lost at
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sea looking for him it says here he
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uh he went looking for you and uh he was
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swallowed by a whale pinocchio then
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sacrifices his little wooden life to
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save the old man from the literal belly
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of the whale
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but lo and behold now that pinocchio is
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good he's brought back to life by the
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blue fairy
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but this time as a real boy and everyone
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lives happily ever after
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if only life was that easy but what if i
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told you that the author of pinocchio
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carlo colotti
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never intended for his story to give
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children that warm fuzzy feeling and
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that once disney had bought their rights
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to the story
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the company whitewashed pinocchio to fit
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the big mouse's cutesy aesthetic
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if you have any doubt then i present to
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you the original ending of colodi's
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pinocchio without loss of time
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they tied his arms past a running noose
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round his throat and
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hung him to the branch of a tree called
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the big oak a tempestuous
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northerly wind began to blow and roar
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angrily
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and it beat the puppet from side to side
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making him swing violently like the
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clatter of a bell ringing for a wedding
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and the swinging gave him atrocious
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spasms it's really bad
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his breath failed him and he could say
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no more
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shut his eyes opened his mouth stretched
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his legs and gave a long shutter
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and hung stiff and insensible
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you heard right kolodi had pinocchio
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gruesomely hanged
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this inspired so much angry fan mail
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that his editor demanded he bring the
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puppet back to life and continue the
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series
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which he begrudgingly did in collodi's
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defense though pinocchio being hanged
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was pretty much
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par for the course it's hard to see in
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disney's version but pinocchio was
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intended to be a tongue-in-cheek albeit
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bleak
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morality tale the simple moral be good
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or suffer throughout the story we see a
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mean-spirited and rude pinocchio
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a stand-in for all misbehaving children
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robbed starved stand
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and also his legs get sawed off but
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we're not supposed to feel especially
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sorry for him his actions cause
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all of his suffering oh and if that
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wasn't enough collodi also heaped on the
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psychological abuse making pinocchio at
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one point think he had killed geppetto
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and the blue fairy which i didn't even
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know was possible
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and while you and i growing up in a
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media diet full of high saturated disney
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cuteness might find the story repulsive
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it's pretty run of the mill if you're
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familiar with old german folklore
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more recently we've seen similarly
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gothic tones in children's books like
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lemony snicket's a series of unfortunate
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events
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now let's be fair maybe you don't want
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your kid's bedtime story ending in
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gruesome death
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but there's still something unsettling
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about the way a media giant like disney
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can take a beloved fairy tale
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purge it of its original intentions and
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thus rewrite the narrative in our
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collective memories
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instead of saying faithful to kalodi's
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artistic intention
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disney did what it would continue to do
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for decades buy a story
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bleach it in a caustic vat of cuteness
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and pump it out in exchange for
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cold hard cash gone were the dark
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satiric overtones and in their place
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were syrupy lions like this
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thank you m'lady he deserved to be a
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real boy as for pinocchio himself he
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went from being
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a total frat pro to the naive piece of
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pine we know and loved today
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in the process his character design
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underwent similar changes with walt
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disney scrapping the angular designs
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found in collodi's story
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for a character model that can best be
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described as what would happen if mickey
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mouse had a baby with a tree
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obviously collodi's estate was kind of
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pissed with his grandson suing disney's
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italian distributor for infringing on
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the moral copyright of the story
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now i know what you're thinking it's an
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adaptation artists are allowed to adapt
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and sure
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they are plenty of great art exist
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because someone took an existing story
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and made it their own
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sometimes undercutting the original like
[557]
pride and prejudice but
[558]
add zombies more seriously something
[560]
like there will be blood took the first
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few pages of upton sinclair's equally
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awesome book oil
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and basically threw away everything else
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but nobody would accuse paul thomas
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anderson of whitewashing oil and i don't
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think pratt and prejudice in zombies has
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somehow cheapened
[576]
the jane austen novel maybe part of the
[578]
difference lies in formula
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and scale pta hasn't created a billion
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dollar industry by stripping stories of
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their content and replacing them with a
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deranged daniel day lewis
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disney on the other hand regularly takes
[593]
stories like pinocchio or sleeping
[594]
beauty or hell the hunchback of notre
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dame
[597]
and throws them into the commercial meat
[599]
grinder worse
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they've been doing this pretty
[601]
consistently for the past hundred years
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seriously if you were to put all the
[606]
disney films on a spinning wheel
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whatever you'd land on would likely be
[610]
an adaptation in which the original
[611]
story has been blanched artistically
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ground down and pumped out as a cute
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little disney sausage
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actually why don't we just spin that
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wheel and find
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out ah yes the 1989 classic the little
[622]
mermaid
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timeless story in which a young mermaid
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makes a faustian bargain with a sea
[626]
witch to gain legs so she can win the
[628]
hand of a hunky prince
[630]
based on the hans christian andersen
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tale of the same name
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disney's retelling strips the story of a
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lot of its darker and more religious
[637]
overtones in the big mouse's version
[639]
we're treated to a love story that ends
[640]
with a happily ever after the prince
[642]
ultimately realizes that he really digs
[645]
this mermaid the mermaid frees herself
[647]
from the sea witch's curse
[648]
the prince harpoons said sea witch and
[650]
all is basically right with the world
[653]
the message true love saves all but the
[656]
source material
[657]
isn't nearly as happy or uplifting
[659]
that's because anderson flatly rejected
[662]
this message
[662]
first of all his story portrays love
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primarily as
[665]
suffering for example anderson's mermaid
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doesn't just give away her voice in
[669]
exchange for legs
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but also endures the pain of being
[673]
stabbed
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every time she takes a step nevertheless
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she delights in dancing for the prince
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and making him happy what's more
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in anderson's telling the prince never
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returns the mermaid's affection
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instead he marries a local princess so
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yeah
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rough deal but there's a reason for this
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anderson wanted the mermaid to be saved
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not by love but by sacrifice at the
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start of the story the mermaid despairs
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not just because she's half fish but
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also because she doesn't have a soul and
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won't be able to chill with her prince
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in heaven
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in fact the whole bargain with the witch
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revolves around ariel
[706]
gaining a soul if she manages to kiss
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her true love
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but as anderson explained to a friend he
[712]
never wanted the mermaid to gain a soul
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simply because she fell in love
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with a straight up hunk he thought such
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an ending would be explicitly
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wrong in short anderson would have
[722]
despised disney's ending in which a kiss
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and a strategic boat crash
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saves the day see in anderson's tale the
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mermaid saves the day with a christ-like
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sacrifice where she gives up her life
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and love to save the prince
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and lo and behold she's rewarded for her
[737]
good deeds and turned into a gentle
[739]
spirit
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if she helps mankind for the next 300
[742]
years she'll be rewarded
[744]
with a soul hooray well according to
[747]
anderson this is the more
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natural more divine path though it
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probably wouldn't have jacked up
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disney's 1989 stock prices
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and at this point we could keep rambling
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off examples the
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real pocahontas is not a story about the
[760]
freedom to love who you choose
[762]
it's about colonists kidnapping a native
[764]
american woman and murdering her husband
[766]
the original sleeping beauty is
[767]
literally about a woman being
[769]
non-consensually impregnated in her
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sleep and giving
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birth to twins also in her sleep now
[774]
we're not going to say disney should be
[775]
making more films about assault because
[777]
that'd be horrible
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however the general disney meat grinder
[781]
which polishes off any rough and
[783]
unsavory edges
[784]
comes with consequences in the case of
[786]
pocahontas it's a very shitty history
[788]
lesson that some people might never
[790]
question
[791]
but that's just the first of many ways
[793]
that disney's storytelling might
[794]
actually be a major disservice for
[796]
developing young minds
[798]
that's because most of the stories
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disney adapts are fairy tales
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and while these stories may often be
[803]
dark and complex and vaguely disturbing
[806]
they also offer children a symbolic
[808]
template for understanding the world
[810]
for example in a children's cancer
[812]
clinic researchers found that patients
[813]
were able to use
[814]
fairy tales to express and cope with
[816]
their anxieties one child
[818]
for example identified with the big bad
[820]
wolf in little red riding hood
[822]
venting his frustration and anger by
[824]
drawing an oversized wolf with
[826]
massive teeth another child drew a
[829]
comically tiny wolf as an expression of
[831]
confidence and bravery in the face of
[833]
his struggles
[834]
here we see how the darkness of fairy
[836]
tales can actually offer a light to
[838]
children confronting adversity
[839]
but disney often strips these fairy
[841]
tales of their bite
[842]
instead inserting a bland wholesome
[845]
narrative as we saw with pinocchio and
[846]
the little mermaid
[847]
and ironically in the process disney's
[850]
developed new narratives that are in
[852]
their own rights potentially quite
[853]
destructive as psychologist susan darker
[856]
smith points out
[857]
young girls who identify with characters
[858]
like cinderella or belle from beauty and
[861]
the beast are more likely to end up in
[862]
abusive relationships as adults while
[865]
interviewing victims of domestic abuse
[867]
darker smith found that many identified
[868]
with the heroines of these stories in
[870]
which
[870]
love conquers all believing that if
[873]
their love is strong enough they can
[874]
change their partner's behavior
[876]
of course the reality is tragically
[878]
different ironically by peddling a
[880]
convenient narrative in which all the
[882]
world's problems can be solved by true
[884]
love
[885]
disney fails to give children any tools
[886]
for navigating real life problems
[889]
and that was kind of the whole point of
[890]
fairy tales to convey the darker and
[892]
crueler aspects of
[893]
life so as to better prepare children
[895]
for the realities of adulthood
[897]
of course this all begs the question
[899]
should disney care
[900]
according to the legendary and
[902]
incendiary free market economist milton
[904]
friedman
[905]
definitely not he argued that companies
[908]
don't have the same responsibilities
[909]
that people do
[910]
a person might have a responsibility to
[912]
be a nice neighbor
[913]
or recycle while a company's only
[916]
responsibility
[917]
is to make more money and friedman's
[919]
definition of corporate responsibility
[921]
has pretty much become gospel
[923]
in other words disney will only do what
[926]
is required to make the most amount of
[928]
money
[928]
regardless of the social consequences
[930]
it's the capitalist raison dead of
[932]
companies the world over and it explains
[935]
why disney operates a cuteness factory
[937]
indeed when disney went dark in the
[939]
1970s and 80s
[940]
it put out a series of grimmer edgier
[942]
films like the black cauldron
[944]
that were huge box office failures and
[946]
nearly brought about the collapse of the
[948]
great empire of mouse
[950]
the so-called disney renaissance of the
[951]
90s was a major course correction back
[954]
into the sentimental cuteness that has
[955]
sustained the company ever since
[957]
and it's no wonder cuteness after all
[960]
has a very particular way of
[962]
hijacking our brains and more
[964]
importantly it's cells
[966]
studies have shown that cuteness
[967]
increases our concentration
[969]
a useful trick to make sure humans pay
[971]
close attention to their adorable young
[973]
or you know pay more attention to a
[975]
dysfunctional snowman
[976]
even more telling when volunteers were
[978]
hooked up to an mri machine and
[980]
bombarded with cute images their nucleus
[982]
accumbens also known as the pleasure
[984]
center of the brain
[985]
lit up and started pumping out dopamine
[987]
in other words when viewers saw mickey
[990]
mouse's adorable body bob
[991]
up and down on screen 100 years ago they
[993]
were unwittingly receiving the first
[995]
micro doses of disney branded brain
[998]
candy
[998]
interestingly enough the phenomenon of
[1000]
cuteness being used for potentially
[1002]
nefarious purposes
[1003]
has a name cultural theorist joshua paul
[1006]
dale calls it
[1007]
evil cute and while dale specifically
[1009]
cites gambling machines that use cute
[1011]
cartoon kittens as an example
[1012]
it's not hard to argue that disney's
[1014]
precious animated friends might also
[1016]
qualify in the end cuteness is just a
[1019]
means for disney to pad its bottom line
[1021]
regardless if it's telling stories that
[1023]
are ultimately good for children
[1025]
and while you might not be too
[1027]
devastated to hear that disney sabotaged
[1029]
your favorite 16th century tale about a
[1031]
naughty sentient puppet
[1032]
the disney vacation of storytelling
[1034]
becomes more viscerally upsetting when
[1036]
the big mouse starts screwing around
[1038]
with more iconic cultural works you
[1040]
catch my drift
[1041]
ever since disney acquired the
[1042]
universe's most beloved franchise
[1044]
fans have increasingly despaired at the
[1047]
creative choices that resulted
[1048]
the last trilogy began with sentimental
[1050]
fan service befitting
[1052]
of disney it seemed to briefly flirt
[1054]
with darkness and complexity in the last
[1055]
jedi suggesting star wars wouldn't fall
[1057]
completely into the pits of cuteness
[1059]
and then this
[1062]
that's right disney quickly course
[1064]
corrected and opted for a sweet
[1066]
conclusion based on a magical kiss
[1067]
romantic sacrifice and of course
[1069]
everyone you care about is jedi royalty
[1072]
now ray skywalker
[1073]
all of which is to say there's no
[1075]
property or franchise which disney won't
[1077]
find a way to wrap its cute little
[1079]
tentacles
[1080]
around so what happens now honestly
[1083]
probably nothing good as disney
[1085]
continues to grow which it's almost
[1086]
certainly going to do
[1088]
it's reasonable to worry that we'll see
[1089]
an expansion of their blanket philosophy
[1091]
of cuteness and as we've seen in the
[1093]
past that cuteness probably comes at the
[1095]
expense of story nuance and morality
[1098]
it definitely makes us nervous for the
[1099]
future of a franchise like x-men
[1101]
it's hard to imagine disney signing off
[1103]
on something as subversive as logan and
[1105]
as disney continues to gobble up more
[1108]
and more of the media we love we're
[1109]
worried that there won't be space for
[1111]
grittier
[1112]
darker stories for grown up fairy tales
[1115]
if you will
[1115]
but what do you guys think is our
[1117]
loathing for the disney empire totally
[1119]
reasonable and warranted
[1120]
or do we sound like overly quarantined
[1123]
haters let us know in the comments
[1125]
as always huge thanks to our patrons for
[1127]
your support hit that subscribe button
[1128]
like it's a fairy tale you're ready to
[1130]
ruin for buckets of money and as always
[1132]
thanks for watching later
[1137]
[Music]
[1140]
[Applause]
[1143]
[Music]
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