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Why this Gucci knockoff is totally legal - YouTube
Channel: Vox
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In February 2015 Gucci unveiled this very
furry shoe.
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I love this ridiculous thing.
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I canât afford to spend $1000, but no problem!
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I can buy this knockoff.
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Or this one.
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So, which of these are legal?
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Trick question.
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And itâs a constant fight in the fashion
industry.
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In the US, you can protect songs.
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âI like those Balenciaga's, the ones that
look...â
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Movies.
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âThat blue represents millions of dollars
and countless jobsâŠâ
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Or paintings.
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Why not fashion designs?
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âKnockoffsâ mostly are not counterfeits.
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People tend to conflate them but theyâre
not the same.
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This is a counterfeit.
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It copies the symbols of the brand that made
the original.
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So counterfeits are typically illegal.
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Knockoffs, on the other hand, just resemble
the design of the original.
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And thatâs usually fine.
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Thatâs because intellectual property laws
only protect some kinds of designs.
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A trademark is any symbol that indicates to
consumers the source of products or services.
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This medallion on the front, which is the
Tory Burch logo, tells you where the flat
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comes from. It comes from Tory Burch.
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A patent is different.
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A useful and novel invention.
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They donât work for most fashion designers
because you canât get damages until itâs
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granted and by the time it's granted most
fashions are out of fashion.
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In fashion, the main battleground is
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Copyright.
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That is the right exclusively to copy or to
distribute an artistic or literary work that
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is original.
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LikeâŠ
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âYouâre wearing a sweater that was selected
for you by the people in this room.â
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But not...
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The shape of this shoe is not copyrightable.
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Fashion designs are typically thought of as
useful articles.
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Copyright doesn't protect useful things.
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It only protects artistic or literary things.
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Unlike a song or a movie, a shoe or a T-shirt has utility
as much as design.
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But⊠what about this?
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Not my thing?
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This might seem at a certain level to be kind
of bizarre.
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But there is nonetheless a useful aspect to
the garment.
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It does possibly keep you warm.
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Wait!
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Itâs art!
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Sort of.
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And nowâŠ
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Itâs a gown.
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You have copyright on the painting.
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I can certainly have a copyright on the fabric
design.
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I can't have a copyright on the shape of the
dress.
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The Subcommittee on Intellectual Property,
Competition, and the Internet will come to
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order.
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The truth, the whole truth, and nothing but
the truth so help you God.
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Fashion design is intellectual property that
deserves protection.
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We create something from nothing at all.
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And inât that the American dream?
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I donât agree with you.
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But youâre very impressive in your testimony.
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They say, well, we're artists and we deserve
protection.
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The answer to that argument is at least in
the States we don't tend to make decisions
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about intellectual property based on what
people deserve.
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We tend to make decisions based on what we
think is healthy for creativity.
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The Constitution does give Congress the right
to stop copying, but only to âpromote the
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progressâ of creative industries.
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When you look at countries across the world,
youâll see that thereâs a correlation
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between the strength of intellectual property
laws and higher GDP.
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But in fashion, Sprigman believes that itâs
actually the ability to copy that promotes
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progress.
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Fashion designers take "inspiration," as they
put it, from existing designs and they do this
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with abandon.
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But this is what creates trends, and trends
sell fashion.
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When the copying proceeds to a certain point,
fashion forward people have had enough.
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They jump off.
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They jump on to the new trend that copying
has helped to set.
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This rapid cycle, created by the freedom to
copy, actually forces the fashion industry
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to innovate.
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If you look at the prices of fashion goods
over time, what you see is that that top ten percent
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of fashion goods in terms of price, the price
of these is going up and up and up over time.
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Whereas everything else, those prices are
staying stable or maybe falling a little bit
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over time.
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It doesn't seem like competition from knockoffs
is disciplining the price of the luxury stuff.
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What seems to be happening in the fashion
industry is what's happening in America and
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indeed in the world.
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The rich are getting richer disproportionately,
and the clothes they wear as a result are
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getting much more expensive.
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The people who make those clothes, the companies
that make those clothes, are profiting.
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New technology and the speed of production has
amplified the two views on knockoffs.
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Today, digital images from runway shows in
New York can be uploaded to the Internet within
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minutes, and be copied, and offered for sale
online within days, which is months before
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the designer is able to deliver the original
garments to stores.
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That practice was not handed to us by God
or by law.
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If the industry at the high end was very concerned
about the speed of imitation, that practice
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would change.
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It isnât.
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So itâs hard to protect fashion designs
because itâs not obvious that protecting
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them promotes progress.
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And from a legal perspective, thatâs all that
matters.
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Even though to the artists, thatâs not the
only thing at stake.
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