How to spot a misleading graph - Lea Gaslowitz - YouTube

Channel: TED-Ed

[7]
A toothpaste brand claims their product will destroy more plaque
[10]
than any product ever made.
[12]
A politician tells you their plan will create the most jobs.
[16]
We're so used to hearing these kinds of exaggerations
[18]
in advertising and politics
[20]
that we might not even bat an eye.
[23]
But what about when the claim is accompanied by a graph?
[26]
Afterall, a graph isn't an opinion.
[28]
It represents cold, hard numbers, and who can argue with those?
[32]
Yet, as it turns out, there are plenty of ways graphs can mislead
[36]
and outright manipulate.
[38]
Here are some things to look out for.
[40]
In this 1992 ad, Chevy claimed to make the most reliable trucks in America
[45]
using this graph.
[47]
Not only does it show that 98% of all Chevy trucks sold in the last ten years
[51]
are still on the road,
[53]
but it looks like they're twice as dependable as Toyota trucks.
[57]
That is, until you take a closer look at the numbers on the left
[60]
and see that the figure for Toyota is about 96.5%.
[65]
The scale only goes between 95 and 100%.
[69]
If it went from 0 to 100, it would look like this.
[72]
This is one of the most common ways graphs misrepresent data,
[76]
by distorting the scale.
[78]
Zooming in on a small portion of the y-axis
[80]
exaggerates a barely detectable difference between the things being compared.
[85]
And it's especially misleading with bar graphs
[87]
since we assume the difference in the size of the bars
[91]
is proportional to the values.
[93]
But the scale can also be distorted along the x-axis,
[96]
usually in line graphs showing something changing over time.
[100]
This chart showing the rise in American unemployment from 2008 to 2010
[104]
manipulates the x-axis in two ways.
[107]
First of all, the scale is inconsistent,
[110]
compressing the 15-month span after March 2009
[113]
to look shorter than the preceding six months.
[116]
Using more consistent data points gives a different picture
[120]
with job losses tapering off by the end of 2009.
[123]
And if you wonder why they were increasing in the first place,
[126]
the timeline starts immediately after the U.S.'s biggest financial collapse
[130]
since the Great Depression.
[132]
These techniques are known as cherry picking.
[135]
A time range can be carefully chosen to exclude the impact of a major event
[138]
right outside it.
[140]
And picking specific data points can hide important changes in between.
[144]
Even when there's nothing wrong with the graph itself,
[147]
leaving out relevant data can give a misleading impression.
[150]
This chart of how many people watch the Super Bowl each year
[153]
makes it look like the event's popularity is exploding.
[157]
But it's not accounting for population growth.
[160]
The ratings have actually held steady
[161]
because while the number of football fans has increased,
[165]
their share of overall viewership has not.
[167]
Finally, a graph can't tell you much
[169]
if you don't know the full significance of what's being presented.
[173]
Both of the following graphs use the same ocean temperature data
[176]
from the National Centers for Environmental Information.
[179]
So why do they seem to give opposite impressions?
[182]
The first graph plots the average annual ocean temperature
[185]
from 1880 to 2016,
[187]
making the change look insignificant.
[190]
But in fact, a rise of even half a degree Celsius
[192]
can cause massive ecological disruption.
[195]
This is why the second graph,
[197]
which show the average temperature variation each year,
[199]
is far more significant.
[202]
When they're used well, graphs can help us intuitively grasp complex data.
[207]
But as visual software has enabled more usage of graphs throughout all media,
[211]
it's also made them easier to use in a careless or dishonest way.
[215]
So the next time you see a graph, don't be swayed by the lines and curves.
[219]
Look at the labels,
[220]
the numbers,
[222]
the scale,
[223]
and the context,
[224]
and ask what story the picture is trying to tell.