5 TIPS to EXPORT FASTER from PREMIERE PRO - YouTube

Channel: Cinecom.net

[0]
Hey guys, Jordy here for cinecom.net and welcome to Creative Tuesday!
[5]
Rendering a video out of Premiere Pro can never go fast enough.
[8]
Unfortunately, it could take up hours
[10]
before you can start sharing that new video with your friends.
[13]
And that’s why I've got 5 tips for you that could help speed up that process.
[17]
But I'd like to start with thanking today's sponsor which is MSI.
[21]
Apart from the 5 software tips that I have for you,
[24]
the one solution that could drastically help increase performance is your hardware.
[28]
It's not the first time that we work together with MSI,
[30]
previously they sent us a desktop computer, that honestly…
[33]
…has the best performance and runs the most stable in the office.
[37]
And they're not making me say that, it's true fact from my own experience.
[41]
My guess is, because most of the components inside are MSI,
[44]
so they're probably better adjusted to each other, I don't know.
[48]
We've got the P 65, which has incredible specs for its price point.
[52]
Some of the highlights are an Intel i7 6-core CPU,
[56]
the brand-new Nvidia RTX 2070, which we also talked about in a previous video,
[61]
and a super fast M-2 SSD.
[63]
I can easily edit my RED raw footage on this laptop.
[67]
Even with the Lumetri effect, I’m able playback the footage in real time.
[71]
Which, for a laptop, is pretty incredible.
[74]
The display itself is a very nice IPS panel, coming close to 100% sRGB.
[79]
And that is all packed within an ultra thin aluminum box,
[82]
giving you up to 8 hours of battery life.
[84]
Very soon they will also come out with an option to choose the Intel i-9 CPU,
[88]
and a 4K display.
[90]
Definitely worth to check out if you're looking for a new editing laptop,
[94]
which you can do by clicking the first link in the description below!
[97]
Now let's see how we can improve that rendering
[99]
with a few tricks inside Premiere Pro.
[102]
The first one can be found when you create a new sequence
[104]
or you right click on an existing sequence and choose Sequence Settings.
[108]
On the bottom, you'll find Video Previews.
[110]
From there you can set your desired format and codec.
[113]
I would suggest setting this into a lightweight but high quality codec,
[117]
such as Avid DNX or ProRes.
[120]
Whenever you work with effects inside Premiere Pro,
[122]
chances are that you need to pre-render them by hitting the Enter or Return key.
[126]
You're now rendering them into that Avid or ProRes codec,
[129]
which are bigger files, but they’re already good for final render.
[133]
So when you're about to export your video,
[135]
you make sure that 'Use Previews' is selected,
[138]
and that way Premiere Pro will not render your effects again,
[140]
but actually use those pre-renders, or previews,
[144]
which will drastically increase rendering speed.
[146]
Tip number 2: with the installation of Premiere Pro, comes Media Encoder.
[150]
Basically, you can drag your final sequence out of Premiere Pro into Media Encoder.
[155]
You can also open up a Premiere Pro project file in there
[158]
and then select your desired sequence.
[160]
Basically this program allows you to render your videos in the background,
[163]
so that you can continue to work inside Premiere Pro.
[166]
You can also batch-export multiple sequences over night
[170]
if you have tons of videos that need to be ready for the next day.
[172]
Leaving your computer alone is always better during an export,
[176]
but there're situations where a background export is very useful
[179]
and will actually speed up your workflow in the long run.
[182]
Now, if you're running an older version of Premiere Pro, then be aware.
[186]
Because the connection between Media Encoder and Premiere Pro
[189]
is done through Dynamic Link, which is actually super slow.
[193]
But if you make sure that you keep your apps updated,
[195]
Premiere Pro will work natively inside Media Encoder now.
[199]
From the Menu, Edit, Preferences, you will still find the option there
[202]
to import sequences natively, or not.
[205]
So, make sure that that option is selected.
[208]
The same goes under Media.
[210]
Right here you'll find an option that says 'Enable accelerated H.264 decoding.’
[214]
Definitely if you're working on DSLR footage, this option must be checked on.
[219]
Tip number 3, Let's talk about codecs!
[223]
Most DSLRs, like I mentioned before, record in H.264.
[227]
And it's also the same format that you will most likely use to export for final delivery.
[232]
Because it creates a small file size while retaining a very good quality.
[236]
This makes it perfect to upload to Youtube, or share with your friends.
[239]
Now here's an interesting fact: when you're about to export to this codec
[243]
but jump first into the settings of it, you'll find the bitrate options,
[247]
which have a drastic influence on the export time.
[250]
For starters, you have a CBR and VRB option.
[253]
CBR stands for Constant Bitrate, meaning that you assign 10 megabits per second
[258]
to your video, for example, and then Premiere Pro will exactly do that.
[262]
VBR stands for Variable Bitrate.
[264]
Choosing this gives you two bitrate options: a minimum and a maximum.
[269]
Depending on how complex your video is,
[271]
Premiere Pro will assign more or less megabytes to it.
[274]
This is great, because it will use less for simple shots
[278]
that have little detail and colors
[279]
and give a little more to shots that do have more details and colors.
[283]
Eventually your final video will be smaller in file size and still have a high quality picture.
[288]
Now, there's also an option to choose VBR 2 pass, which is essentially the same,
[293]
but Premiere Pro will first analyze your video in the first pass
[296]
and then execute the compression in the second pass.
[299]
You'll get much better results, though.
[301]
However, when we talk about decreasing the export time, CBR is the fastest,
[306]
VBR goes slower and VBR 2-pass is the slowest export of them all.
[311]
So if you're short on time, choose CBR.
[314]
A last thing to mention is that the given bitrate also influences the export time.
[319]
The higher the bitrate, the better quality your video will be
[322]
but the exporting will take longer.
[324]
So, if you're about to export a first draft of your work
[327]
that the client needs to see and it has to go fast,
[330]
you might wanna decrease the bitrate to around 5 megabits per second
[334]
for a High Definition sequence.
[336]
If you're uploading a High Definition video to Youtube,
[339]
Youtube will transcode your video again for their platform.
[342]
So it has no use to set the highest possible bitrate from your export in Premiere.
[346]
In fact, Youtube actually recommends to set your bitrate at 8 Mbps for HD.
[352]
However, it’s a recommendation from Youtube,
[355]
I'm not sure what the actual bitrates are that Youtube handles, though.
[359]
This video right here was exported using 40 Mbps in 4K resolution,
[364]
which lays in line with what Youtube recommends and it looks great to us.
[368]
So there is no use to increase that, which will only make exporting take longer.
[372]
Alright, tip number 4!
[374]
While you're editing, you might be stacking clips over different video tracks.
[377]
I think we all do that for having a better organization in the timeline
[381]
or to create a specific effect.
[383]
But here's the thing,
[385]
although you won't actually see the clip that lays underneath another clip,
[389]
it does increase export times.
[391]
And I've actually took it to the test
[393]
where I used 6 tracks with a random effect on a clip.
[396]
Next to it I also had a sequence where I would collapse
[398]
all the clips back into one track.
[400]
And you can easily do this by holding down Alt + arrow down key.
[404]
Surprisingly, for the 5 seconds clip, the export time with the stacked clips
[408]
was almost the double of the sequence that had everything in one track.
[412]
Now, I'm not saying that everyone should suddenly stop
[415]
using more than one video track.
[417]
But collapsing your clips is something to consider
[419]
if you're -again- short on a deadline
[421]
or you're just really sick of those slow exports.
[424]
And that brings us to the last tip to speed up that export.
[428]
Many of us shoot in 4K but then edit in a 1080p sequence.
[432]
That means, we scale down our footage to make it fit within the HD sequence.
[437]
There're two ways to do that.
[439]
First of all is by right-clicking on your clip
[441]
and choosing ‘Scale to’ or ‘Set to frame size’.
[444]
‘Scale to’, will resample the clip,
[446]
which is good if you decide not to enlarge it anymore,
[449]
as that gives you quality loss.
[451]
For editing, this will also speed up things.
[453]
as you're now working on a 1080 clip since it got resampled.
[456]
‘Set to frame size’, will simply scale down your clip,
[459]
but you're still working on that 4K clip.
[462]
I did several tests, but I couldn’t really find major differences
[466]
in export times between these two.
[467]
However, where I strangely enough did found a great difference
[471]
is if you would literally scale down your 4K clip to 1080 through the Motion options.
[477]
Doing this will increase the export time,
[479]
so it's better to use the ‘Scale to’ or ‘Set to frame size’ option.
[483]
And those were the 5 tips to increase that export time inside Adobe Premiere Pro.
[488]
I'm gonna leave you guys with a final bonus tip:
[491]
if you wanna do your own tests to figure out how you can improve rendering speeds
[495]
then make use to use the Media Encoder.
[497]
You could export one sequence to multiple formats
[499]
and when it's done you go up to Menu, say File, Show Log.
[503]
And in here you'll see the different exports, their settings,
[505]
and most important, how long each export took.
[508]
Thank you guys so much for watching, thank you MSI for the support.
[512]
I'm already looking forward to take this editing beast with me
[515]
when shooting my next travel video.
[517]
Definitely make sure to check out that gorgeous editing laptop, guys.
[520]
But more important:
[522]
Stay Creative!
[523]
-Guys, this might come as a shock, but I’m getting a little bit tired of my long hair,
[529]
so I made an appointment with the hairdresser and…
[533]
…is going off tomorrow.